![]() ![]() Unlike English poetry, which produces its effect by a sequence of accented and unaccented syllables, Latin poetry uses a predetermined sequence of long and short syllables, a sequence determined by the meter of the poem. ![]() There are two kinds of syllabic quantity - long and short (defined in the next section). Quantity is the amount of time taken to pronounce a syllable. The Quantitative Basis of Latin poetryĢLatin poetry depends for its rhythm on quantity rather than accent. What follows is a quick overview in the basic principles of hexametric verse. #ELISION LATIN SCANSION HOW TO#His lines flow like those of no other poet - and he is therefore an ideal author for learning how to read and to appreciate Latin hexameters. Tip: This customary ‾ x final foot makes it possible to work backward from the last two syllables if the passage is tricky.1One of the great pleasures of reading Ovid’s Metamorphoses is his verse-craft. ô-rîsOne extra bonus is that it doesn't matter whether the final syllable is long or short.What we have left is the same pattern we saw for the 3rd and 4th feet, two longs: prî-mus ab We just need one more syllable to make the 6 dactyls of a line of dactylic hexameter.iae quî and then prî becomes the long syllable in a regular dactyl:.The long, long syllable is called a spondee, so technically, you should say that a spondee can substitute for a dactyl. (Mind you, you can't use two shorts for the start of a dactyl.) Therefore, a dactyl can be long, short, short, or long, long and that's what we've got. One long syllable is the equivalent of 2 shorts. It's all long syllables: nô, Trô- iae quî prî Have no fear. ![]() No problem so far, but then look what comes next.
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